This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category 'Necessary'. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category 'Functional'. The cookie is used to store the user consent for the cookies in the category 'Analytics'.

These cookies ensure basic functionalities and security features of the website, anonymously.

Necessary cookies are absolutely essential for the website to function properly. It is best to always keep a distance from the screen to alleviate these sorts of issues.įinally, it should go without saying, do not have anything on set that is green beside the greenscreen! Anything, no matter how small, can turn into a big distraction after keying the footage and that is a huge pain to fix in editing! Try to make them do different moves in order to make sure of that. Also, make sure the subject is not casting shadows on the screen. This can really help out later on in the editing phase when you are trying to key out the greenscreen and you want to keep the edges nice and sharp. It’s also good practice to have a backlight behind the subject, casting light on them so that their edges will be lit and mostly free of green light spill. Light, especially on the screen, should be soft, yet strong. Next, you gotta both light the screen and the subject individually. Any type of shadow and inconsistency in the color will bring complications later on in the post.

First, you gotta make sure the cloth is well ironed and wrinkle-free.

Chroma keying in premiere pro